HALF OF MY HEART v1.000

Here's the very nascent stage of this song called "Half of my Heart"... there's a chorus that's done, but I don't want to give it away and have you sick of it before I even track it.

As my own producer, the point of the entire game is to write without questions or fear. If it's not good, who cares?? I'll have good songs and I'll have bad songs in life, but if I fear 'bad' songs I won't be able to write anything from an honest place.

I should be done with this song by mid-week, assuming I stay on point and keep on writing.

This is fun... Glad you're along for the ride.

JM

ON CONSCIOUS COMPOSITION

Conscious composition is composing not only chord changes, say for instance a 4-chord progression in a pop or rock setting, but also thoughtfully writing the lyrics and melody line above it. It's the exact opposite of "get in a room and jam." Sure, I could pull together a drummer, a bass player, an organ and a trio of background singers, but without the time spent investigating lyrics, ideas, note selection, etc, all I'm going to have (at best) is a groove that underscores nothing but very basic ideas. Even if I'm able to turn it into something sophisticated, that's still because I was thinking back on a past moment in my songwriting that was fully conscious, except I'll remember it as having come up with it "on the spot"... When there aren't enough of these conscious moments of songwriting to draw from, the creative energy of making music is lost.

Even going into the studio with a guitar and a microphone and singing and strumming until I get something worthwhile isn't conscious enough, because my mind still knows that there's somebody engineering the recording session and my performance brain will take over and make sure I don't sing or play anything embarrassing. The work has to be done alone and ahead of time.

Undoing self-consciousness and bridging into creative consciousness has been and still is a very daunting process. There's nothing new about the template; guy puts everything he has into making music, music rewards guy with everything he has, guy forgets how to make music like he used to. But there is a way to use all that music has given me to dig even deeper than I have before. I'm glad that I've had as many years playing guitar under my belt as I did before I became successful, and I'm glad I have the resources to do whatever it takes to stay focused in that place I know so well.

It's easier to end the day early and go to dinner, but it gets nothing accomplished in the way of answering the question "and why are you taking up space here on Earth again?"

I'm not saying I won't someday go through musical menopause, it's just not going to happen yet. It's being a conscious composer that's going to keep me relevant, and it's refraining from believing that I can jam for 2 months and make a record that's going to return the favor that success has given to me.

THE PRE-HIT DOWN HIT DOWN

Took a break from setting up the studio space and jammed a bit. There's something I love about playing with just drums, because it gives me the harmonic freedom to go wherever I like. And whenever Steve and I see each other and there's a drum kit and a guitar rig around, this is how we say hello to one another. For the playas: I'm using a '52 Tele through a Fender Princeton. No pedals.